一切從圓開始。從圓出發，依尺寸、角度、比例與節奏變化、重組，形成球體或器皿。單元結構看似相同，又彼此相異，如同人。可被堆疊、替換的作品，輪廓隨視角曲行，而在俯視之下，仍回到圓。以土塑型，覆上化妝土以取代釉藥，還原土坯最真實的感性。在反覆生成之中，製陶與人生都像一套持續運作的系統。

Everything begins with a circle. Forms evolve through variations in size, angle, proportion, and rhythm, becoming orbs or vessels. The units share a common structure yet remain individually distinct, much like people. Designed to be stacked and exchanged, their outlines curve with the viewing angle and return to the circle from above. Formed in clay and finished with layered slip instead of glaze, the surfaces retain a raw, tactile quality. Within an iterative system, ceramic practice and life operate continuously.